Sarkari Vaari Paata box office collection day 2: Mahesh Babu and Keerthy Suresh’s film would perform well on Friday and improve throughout the weekend

Sarkari Vaari Paata by Mahesh Babu and Keerthy Suresh got off to a fast start on day one. The film is an action thriller about the country’s banking system and the frauds and scams that occur through it. The public and reviewers have given the Parasuram-directed film mixed reviews. According to Sarakaru Vaari Paata’s early estimates for Day 2, the film will manage to get footfalls in the cinema halls, but not as much as on Day 1.

To mention a few, Keerthy Suresh, Samuthirakani, Vennela Kishore, Nadhiya, and Sowmya Menon appear in Mahesh Babu’s Sarkaru Vaari Paata. According to preliminary estimates, Sarkari Vaari Paata has made a profit of Rs 16.50 crore based on audience reviews and responses. The AP/TG split is estimated to be around Rs 11.00 crore (early estimates). According to reports, Mahesh Babu’s Sarkaru Vaari Paata did a net business of Rs 47.70 crore on Day One. According to Sacnilk.com, occupancy was 37.88 percent on May 13, Friday. According to another report, Sarkari Vaari Paata’s booking for the Telugu version of Day 2 was only Rs 8.60 crore.

Although the Friday numbers did not exceed expectations, it appears that the weekend will be fruitful for Mahesh Babu, Keerthy Suresh, and the rest of the Sarkari Vaari Paata cast and crew.14 Reels Plus, Mythri Movie Makers, and G.Mahesh Babu Entertainment are producing Sarkaru Vaari Paata.
Mahesh Babu had written a heartfelt note for his fans ahead of the release of Sarkaru Vaari Paata. ‘The entire shooting and post-production work of Sarkari Vaari Paata has been completed, and I loved how Parusuram directed this film,’ he said. The film will be released on May 12th, and it will be available only in theatres. The songs that have been released are already making waves, and I am confident that the film will be a box office success. In June of this year, I will begin the regular shoot for my next film, directed by Trivikram Srinivas. (Sic)”

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